Raquel Guerra
[[en]]Born in Porto in 1976 (Portugal). Lives and works in Granja do Ulmeiro (Portugal).[[fr]]Née à Porto en 1976 (Portugal). Vit et travailles à Granja do Ulmeiro (Portugal)[[pt]]Nasceu no Porto em 1976 (Portugal). Vive na Granja do Ulmeiro (Portugal)
Raquel Guerra develops work in the areas of production and curatorial mediation, collection management and the organization of artists' heritage.
In her work as a curator, Raquel Guerra uses poetry and dreaminess to address the subjects of her exhibitions, bringing together the works of well-known and celebrated artists as well as artists whose works must be worked on in a curatorial manner and reviewed in detail. critically in relation to the time that forgets, hides or ignores them.
She understands Art as one of the possible places to think about difference and to think about the circulation of counter-languages located in the artistic system, but thought beyond it.
Raquel Guerra develops work in the areas of production and curatorial mediation, collection management and the organization of artists' heritage.
In her work as a curator, Raquel Guerra uses poetry and dreaminess to address the subjects of her exhibitions, bringing together the works of well-known and celebrated artists as well as artists whose works must be worked on in a curatorial manner and reviewed in detail. critically in relation to the time that forgets, hides or ignores them.
She understands Art as one of the possible places to think about difference and to think about the circulation of counter-languages located in the artistic system, but thought beyond it.
Raquel Guerra develops work in the areas of production and curatorial mediation, collection management and the organization of artists' heritage.
In her work as a curator, Raquel Guerra uses poetry and dreaminess to address the subjects of her exhibitions, bringing together the works of well-known and celebrated artists as well as artists whose works must be worked on in a curatorial manner and reviewed in detail. critically in relation to the time that forgets, hides or ignores them.
She understands Art as one of the possible places to think about difference and to think about the circulation of counter-languages located in the artistic system, but thought beyond it.